Santana - Santana - Mint- LP Record 1969 Columbia USA Original Vinyl with Error - Psychedelic Rock / Afro-Cuban / Latin
Regular price
$99.99
Santana – Santana
Label: | Columbia – CS 9781 |
---|---|
Format: |
Vinyl, LP, Album, Terre Haute Pressing
|
Country: | US |
Released: | |
Genre: | Rock, Latin, Funk / Soul |
Style: | Afro-Cuban, Psychedelic Rock |
A1 | Waiting |
A2 | Evil Ways | |
A3 | Shades Of Time | |
A4 | Savor | |
A5 | Jingo | |
B1 | Persuasion | |
B2 | Treat | |
B3 | You Just Don't Care | |
B4 | Soul Sacrifice |
- Manufactured By – Columbia Records
- Manufactured By – CBS Inc.
- Pressed By – Columbia Records Pressing Plant, Terre Haute
- Published By – Petra Music
- Recorded At – Pacific Recording Studios
- Mixed At – Pacific Recording Studios
- Mastered At – Customatrix
- Arranged By [Arranged For Recording By] – Albert Gianquinto*
- Artwork – Lee Conklin
- Bass – Dave Brown*
- Congas, Percussion – Mike Carrabello*
- Drums – Mike Shrieve*
- Engineer – Bob "Deputy Dog" Breault*, Eric "Gentle Ben" Prestidge*
- Guitar, Vocals – Carlos Santana
- Management – Stan Marcum
- Photography By – Jim Marshall (3)
- Piano, Organ, Vocals – Gregg Rolie
- Producer – Brent Dangerfield, Santana
- Timbales, Congas, Percussion – José Chepito Areas*
Includes "Here's How Records Give You More Of What You Want." inner sleeve.
"PRINTED IN U.S.A." and the Columbia LP-logo (LP inside a circle) printed on spine, pictured.
Red "360 Sound Stereo" label.
Label variation to Santana - Santana, this release has different songwriting credits:
A2: Evil Ways, erroneously credited to Jimmy Zack, actually written by Clarence Henry
A5 Jingo, erroneously credited to Aaron Copland, actually written by Babatunde Olatunji
"PRINTED IN U.S.A." and the Columbia LP-logo (LP inside a circle) printed on spine, pictured.
Red "360 Sound Stereo" label.
Label variation to Santana - Santana, this release has different songwriting credits:
A2: Evil Ways, erroneously credited to Jimmy Zack, actually written by Clarence Henry
A5 Jingo, erroneously credited to Aaron Copland, actually written by Babatunde Olatunji
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