Nat King Cole - Live At The Blue Note Chicago - New 2 LP Record Store Day 2024 Exclusive 180 gram Vinyl - Jazz
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Nat King Cole – Live At The Blue Note Chicago
Label: |
Iconic (3) – IAG00005-LP |
|---|---|
Format: |
2 x Vinyl, LP, Album, Record Store Day, 180 Gram
|
Country: |
US |
Released: |
|
Genre: |
Jazz, Pop |
Style: |
Swing, Vocal |
| A1 | Frank Holzfeind Introduction #1 | 0:16 | |
| A2 | Little Girl | 2:28 | |
| A3 | Unforgettable | 3:44 | |
| A4 | It's Only A Paper Moon | 3:30 | |
| A5 | Love Is Here To Stay | 3:44 | |
| A6 | Too Marvelous For Words | 3:43 | |
| A7 | What Does It Take? | 2:36 | |
| B1 | You Stepped Out Of A Dream | 2:37 | |
| B2 | Exactly Like You | 3:59 | |
| B3 | Sweet Lorraine | 4:15 | |
| B4 | Can't I? | 3:47 | |
| B5 | Band Introduction | 0:09 | |
| B6 | Calypso Blues | 3:30 | |
| C1 | Frank Holzfeind Introduction #2 | 0:25 | |
| C2 | Walkin' My Baby Back Home | 2:07 | |
| C3 | Mona Lisa/Too Young | 3:50 | |
| C4 | Blue Gardenia | 2:28 | |
| C5 | Straighten Up And Fly Right | 3:17 | |
| C6 | Funny (Not Much) | 3:37 | |
| C7 | Somewhere Along The Way | 2:45 | |
| C8 | Nature Boy | 2:19 | |
| D1 | Pretend | 3:22 | |
| D2 | A Fool Was I | 3:50 | |
| D3 | If Love Is Good To Me | 3:18 | |
| D4 | I Am In Love | 2:54 | |
| D5 | This Can't Be Love | 2:41 | |
| D6 | Route 66 | 3:34 |
- Phonographic Copyright ℗ – Iconic NKC Masters LLC
- Copyright © – Iconic NKC Masters LLC
- Manufactured By – Iconic Artists Group
- Marketed By – Iconic Artists Group
- Mastered At – Record Technology Incorporated – 41617
- Mastered At – Record Technology Incorporated – 43322
- Mastered At – Record Technology Incorporated – 43486
- Recorded At – The Blue Note, Chicago
- Produced At – The Audio Labs
- Edited At – The Audio Labs
- Mixed At – The Audio Labs
- Mastered At – Marsh Mastering
- Published By – Universal-MCA Music Publishing
- Published By – Songwriters Guild of America
- Published By – Unforgettable Standards
- Published By – WC Music Corp
- Published By – Glocca Morra Music
- Published By – S.A. Music
- Published By – Warner Geo Met Ric Music
- Published By – Ira Gershwin Music
- Published By – Steve Peter Music
- Published By – Nokawi Music
- Published By – Downtown DLJ Songs
- Published By – Frankie G. Songs
- Published By – Warner Bros. Music Div.
- Published By – Music Sales Corp.
- Published By – Dorsey Bros. Music Ltd.
- Published By – Bourne Co.
- Published By – Burke & Van Heusen
- Published By – BMG Gold Songs
- Published By – Primary Wave Songs
- Published By – Shapiro, Bernstein & Co., Inc.
- Published By – EMI April Music Inc.
- Published By – Cotton Club Publishing
- Published By – EMI Mills Music Inc.
- Published By – Filmtrax Copyright Holdings Inc.
- Published By – EMI Mogull Inc.
- Published By – Ricki Music Company
- Published By – Chappell & Co., Inc.
- Published By – Sony/ATV Harmony
- Published By – Copyright Control
- Published By – Sammy Gallop Music Co.
- Published By – Golden World (2)
- Published By – Jonroy Music Co.
- Published By – The Best Music Company
- Published By – A And J Music
- Published By – September Music Corp.
- Published By – Williamson Music Co.
- Published By – Rodgers & Hammerstein Holdings, LLC
- Published By – Songs Of MAM
- Published By – Troup-London Music
- Lacquer Cut At – Cohearent Audio
- Pressed By – Record Technology Incorporated
- Art Direction, Design – Alex Tenta, Paul Moore (2)
- Bass – Charlie Harris*
- Coordinator [Production Coordinator] – Tom Grover Biery*
- Drums – Lee Young (2)
- Executive-Producer – Laura Sáez
- Guitar – John Collins (2)
- Lacquer Cut By – Kevin Gray
- Liner Notes – Will Friedwald
- Mastered By – Stephen Marsh
- Photography By [Folder, Inside Gatefold, Tarmac Photo] – Alamy Stock Photo*
- Photography By [Folder, Inside Gatefold] – Phillip Harrington
- Photography By [Inside Gatefold] – Chicago Tribune
- Photography By [Photo Of Blue Note Marquee And Frank Holzfeind] – Archie Lieberman
- Photography By [Photos, Cover] – CTS Images, JP Jazz Archive
- Producer [Historical Recordings Produced By], Edited By [Historical Recordings Edited By], Mixed By [Historical Recordings Mixed By], Liner Notes [Gatefold] – James Sáez*
- Project Manager – Brittany Erlbaum
- Recorded By [Original Blue Note Recordings By] – Frank Holzfeind
- Research [Project Assistance] – Alai Tseggai, Chris Flannery, Dan Brescoll, Daniele Taska, Eric Watkins (5), Lellie Capwell, Marcus Lipiner
- Transferred By [Original Tape Transfers] – Bill Smith
- Vocals, Piano – Nat King Cole
"RSD Exclusive" release. The US Record Store Day page for this release states it was released in a quantity of 4,000 copies.
Includes two pamphlets.
Recorded live at the Blue Note, Chicago, over the course of more than a week starting August 28, 1953. Four nights and one matinee were recorded, from which this release was edited and compiled.
℗ & © 2024 Iconic NKC Masters LLC.
Catalog number on rear LP jacket, LP spine, labels and hype sticker.
Includes two pamphlets.
Recorded live at the Blue Note, Chicago, over the course of more than a week starting August 28, 1953. Four nights and one matinee were recorded, from which this release was edited and compiled.
℗ & © 2024 Iconic NKC Masters LLC.
Catalog number on rear LP jacket, LP spine, labels and hype sticker.
- Barcode (Text): 7 84300 32160 6
- Barcode (Scanned, UPC_A): 784300321606
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