A2: Sound of traffic over wet pavement, street perspective.
A3: Intensity of this effect can be varied by raising and lowering the playback volume.
A12a: Sound of horn, hatches secured
A12c: Also low level conversation, sound of solenoids and relays clicking
A12d: Horn sounding, orders being given
A14: Opening trumpet; bull enters and circles ring; matador makes opening passes with large cape (capote); second trumpet announces entrance of picadors, crows boos; picador's horse is thrown by charging bull, crowd screams; third trumpet signaling departure of picadors and commencement of the placing of three sets of long darts (banderillas) into the bull's tossing muscle, each placement followed by applause; fourth trumpet announces the work with the small cape (muleta); crowd applause dedication of the bull; series of olés for fine passes with muleta; matador is tossed by bull, crowd screams; matador rises and is applauded; more olés for extraordinary passes with muleta; matador pauses, then kills bull with a single well-places thrust and bull falls immediately; crowd goes wild; orchestra plays as matador circles arena to cheers of the throng.
B2: Blows twice in regular manner, then blows insistently.
B7: Blows five times, harbor sounds in background.
B9: Happy voices, whistle blast, orchestra plays.
B11: Play back at lower volume for best results.
B14: Wound three times, then play.
B16: Overall perspective, featuring voices on the trading floor with the background sound of tickers.
B17: Closeup perspective.
B18: Recorded with the king permission and assistance of the Dunes Hotel.
B18a: With frequent payouts.
B18b: A complete sequence, featuring the voice of the stickman calling the play.
B18c: Wheels spins twice.

Tan label variation issued from 1966-1969