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Billie Holiday - Strange Fruit - VG+ LP Record 1972 Atlantic USA Original Vinyl - Jazz / Swing - Shuga Records
Billie Holiday - Strange Fruit - VG+ LP Record 1972 Atlantic USA Original Vinyl - Jazz / Swing - Shuga Records
Billie Holiday - Strange Fruit - VG+ LP Record 1972 Atlantic USA Original Vinyl - Jazz / Swing - Shuga Records
Billie Holiday - Strange Fruit - VG+ LP Record 1972 Atlantic USA Original Vinyl - Jazz / Swing - Shuga Records
Billie Holiday - Strange Fruit - VG+ LP Record 1972 Atlantic USA Original Vinyl - Jazz / Swing - Shuga Records

Billie Holiday - Strange Fruit - VG+ LP Record 1972 Atlantic USA Original Vinyl - Jazz / Swing

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Billie Holiday – Strange Fruit

 

Label:

 Atlantic – SD 1614

Series:

 Commodore Records Series

Format:
Vinyl, LP, Compilation, Mono, RI - Richmond Pressing

Country:

 US

Released:

Genre:

 Jazz

Style:

 Swing

Tracklist

A1 I'll Get By
Written-By – Fred E. Ahlert, Roy Turk
 2:56
A2 My Old Flame
Written-By – Arthur Johnston, Sam Coslow
 2:59
A3 Embraceable You
Written-By – George Gershwin - Ira Gershwin*
 3:16
A4 (Billie's Blues) I Love My Man
Written-By – Billie Holiday
 3:26
A5 I Gotta Right To Sing The Blues
Written-By – Harold Arlen, Ted Koehler
 2:50
A6 I Cover The Waterfront
Written-By – Edward Heyman, Johnny Green
 3:27
A7 (I Got A Man Crazy For Me) He's Funny That Way
Trumpet – Freddie Webster
Written-By – Neil Moret, Richard A. Whiting*
 3:01
A8 Yesterdays
Written-By – Jerome Kern, Otto Harbach
 3:24
B1 Strange Fruit
Written-By – Lewis Allan
 3:11
B2 On The Sunny Side Of The Street
Written-By – Jimmy McHugh - Dorothy Fields*
 3:00
B3 I'm Yours
Written-By – E. Y. Harburg*, Johnny Green
 3:15
B4 Fine And Mellow
Written-By – Billie Holiday
 3:15
B5 Lover Come Back To Me
Written-By – Oscar Hammerstein II, Sigmund Romberg
 3:14
B6 I'll Be Seeing You
Written-By – Irving Kahal, Sammy Fain
 3:30
B7 As Time Goes By
Written-By – Herman Hupfeld
 3:09
B8 How Am I To Know
Written-By – Dorothy Parker, Jack King (3)
 2:43

Companies, etc.

  • Copyright © – Atlantic Recording Corporation
  • Lacquer Cut At – Atlantic Studios
  • Pressed By – PRC Recording Company, Richmond, IN
  • Manufactured By – Atlantic Recording Corporation

Credits

  • Accompanied By – Eddie Heywood And His Orchestra (tracks: A1 to A3, A6, A7, B3, B5 to B8), Eddie Heywood Trio (tracks: A4, B2), The Frankie Newton Orchestra* (tracks: A5, A8, B1, B4)
  • Alto Saxophone – Lem Davis (tracks: A1 to A3, A6, A7, B3, B5 to B8), Tab Smith (tracks: A5, B1, B4)
  • Art Direction, Design [Album Design] – Richard Mantel
  • Bass – John Simmons (tracks: A1 to A4, A6, A7, B2, B3, B5 to B8), John Williams* (tracks: A5, A8, B1, B4)
  • Coordinator [For Atlantic Records] – Michael Cuscuna
  • Directed By – Bob Smith (14) (tracks: A5, A8, B1, B4)
  • Drums – Eddie Dougherty (tracks: A5, A8, B1, B4), "Big Sid" Catlett* (tracks: A1 to A4, A6, A7, B2, B3, B5 to B8)
  • Guitar – Jimmy McLin (tracks: A5, A8, B1, B4)
  • Lacquer Cut By – DK*
  • Liner Notes – Leonard Feather, Milt Gabler
  • Photography By [Cover Photo Of Billie Holiday] – Skippy Adelman
  • Photography By [Cover] – Photo File
  • Photography By [Inside Liner] – Culver Pictures
  • Photography By [Liner Photos Of Billie Holiday] – Charles Peterson (5), Jack Bradley
  • Piano – Eddie Heywood (tracks: A1 to A4, A6, A7, B2, B3, B5 to B8), Sonny White (tracks: A5, A8, B1, B4)
  • Producer – Milt Gabler
  • Tenor Saxophone – Kenneth Hollon (tracks: A5, A8, B1, B4), Stan Payne* (tracks: A5, B1, B4)
  • Trombone – Vic Dickenson (tracks: A1 to A3, A6, A7, B3, B5 to B8)
  • Trumpet – "Doc" Cheatham* (tracks: A1 to A3, A6, B3, B5 to B8), Frank Newton (tracks: A5, B1, B4)

Notes

Original green and orange labels with 1841 Broadway address at bottom. "RI" suffix on label matrix indicates a PRC Recording Company, Richmond, IN pressing. In gatefold cover.

A4, A7 and B5 are previously unissued alternate versions.

A5, A8, B1, & B4 were recorded at Brunswick Record Corp./World Broadcasting Studio, New York, N.Y. on April 30, 1939.
A1, A2, A6, & B8 were recorded at WOR Recording Studios, New York, N.Y. on March 25, 1944.
A3, B3, B6, & B7 were recorded at WOR Recording Studios, New York, N.Y. on April 1, 1944.
A4, A7, B2, & B5 were recorded at WOR Recording Studios, New York, N.Y. on April 8, 1944.

Commodore original monaural recordings were previously issued in 78 rpm, 45 rpm and 33⅓ rpm form on Commodore and other licensed labels. They are now reissued as two-track monaural recordings suitable for monophonic and stereophonic reproduction. These historical performances have been collected from the Commodore archives and reproduced from the best available sources. Please forgive occasional minor disturbances if you notice any.

Barcode and Other Identifiers

  • Matrix / Runout (Side A Label): A-14011RI
  • Matrix / Runout (Side B Label): A-14012RI
  • Matrix / Runout (Runout A Side [Etched], Variant 1): A-14011-A.AA-I DK/AT PR
  • Matrix / Runout (Runout B Side [Etched], Variant 1): A-14012-A.AA-I-II A//DK PR
  • Matrix / Runout (Runout B Side [Etched], Variant 2): A-14011-AAA-I DK/AT PR D
  • Matrix / Runout (Runout B Side [Etched], Variant 2): A-14012-AAA-I AT/DK PR D

Tags: Atlantic records, Billie holiday, Commodore records series, Jazz, Lp, Mono, Out of stock, Soul-jazz, Strange fruit, Used