Piano Streaming takes as its sonic and conceptual base an LP presenting a 41 minute long soundwalk through and around a 1924 Steinway grand piano, exploring the resonances, materials, potentials and dynamics of the instrument in manners both subtle and raucous (with the particular help of a few errant tennis balls). The periphery and superstructure of this “sonic garden” takes the form of 256 ancillary satellite recordings in figurative gravitation around this base—recordings provided on a USB business card are included for simultaneous playback in the vicinity of the LP in modes and variations left to the listener.

Edition of 160.