Miles Davis – Lift To The Scaffold - (Ascenseur Pour L'Echafaud) New Lp Record 2015 DOL Europe Import 180 gram Vinyl - Cool Jazz / Soundtrack
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Miles Davis – Lift To The Scaffold - Original Soundtrack (aka Ascenseur Pour L'Echafaud)
Label:
Dol – DOL756H
Format:
Vinyl, LP, Album, Reissue, 180 Gram
Country:
Europe
Released:
2015
Genre:
Jazz
Style:
Cool Jazz
Tracklist
A1 | Generique | 2:52 |
A2 | L'Assassinat De Carala | 2:11 |
A3 | Sur L'Autoroute | 2:20 |
A4 | Julien Dans L'Ascenseur | 2:13 |
A5 | Florence Sur Les Champs-Elysees | 2:53 |
B1 | Diner Au Motel | 3:59 |
B2 | Evasion De Julien | 0:55 |
B3 | Visite Du Vigile | 2:05 |
B4 | Au Bar Du Petit Bac | 2:54 |
B5 | Chez Le Photographe Du Motel | 3:59 |
Credits
- Bass – Pierre Michelot
- Drums – Kenny Clarke
- Piano – René Urtreger
- Tenor Saxophone – Barney Wilen
- Trumpet – Miles Davis
Notes
HQ Virgin Vinyl 180 gram
1958 film noir by the great Louis Malle, starring Jeanne Moreau and Maurice Ronet. Not only was the film genre defining, but so was the soundtrack by Miles Davis, propelling the young player and composer forward into the type of modal jazz that would soon make history. Amazingly a 24-year-old Malle, who had not yet made a feature length film, but who was a huge jazz fan, intercepted Miles Davis at the airport and managed to convince him to make the music for the film. Miles Davis and his musicians, who included the Kenny Clarke on drums, as well as three French musicians, improvised this soundtrack in one night, from dusk to dawn, while watching the film and occasionally consulting with Malle. The film, which can be considered a precursor to the New Wave of French cinema won Malle the prestigious Louis Delluc prize and it can also be stated that the very spirit of jazz and the New Wave of French cinema are contained in this film and its soundtrack.
On front cover: Recorded in Paris, December 4 - 5, 1957
1958 film noir by the great Louis Malle, starring Jeanne Moreau and Maurice Ronet. Not only was the film genre defining, but so was the soundtrack by Miles Davis, propelling the young player and composer forward into the type of modal jazz that would soon make history. Amazingly a 24-year-old Malle, who had not yet made a feature length film, but who was a huge jazz fan, intercepted Miles Davis at the airport and managed to convince him to make the music for the film. Miles Davis and his musicians, who included the Kenny Clarke on drums, as well as three French musicians, improvised this soundtrack in one night, from dusk to dawn, while watching the film and occasionally consulting with Malle. The film, which can be considered a precursor to the New Wave of French cinema won Malle the prestigious Louis Delluc prize and it can also be stated that the very spirit of jazz and the New Wave of French cinema are contained in this film and its soundtrack.
On front cover: Recorded in Paris, December 4 - 5, 1957
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